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- Keating, Karl — Catholicism and Fundamentalism: The Attack on "Romanism" by "Bible Christians" (337 pages)
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Every Lent I try to read something appropriate to the season: a work of apologetics, writings of a saint, anything to help in my contemplation of faith. Catholicism and Fundamentalism has been on my radar for a few years, and I felt a strong urging to read it this year.
This is a fantastic work of apologetics, easily the best Catholic apologetics I've read and second only to C. S. Lewis as far as Christian apologetics goes. Obviously, given the subject matter, this won't be of interest to most of you. I would recommend it to Catholics who wish to know more about their faith and how to respond to people who question their belief and to non-Catholics who wish to learn, in an accessible and easily digestible way, what Catholics actually believe.
The book is meant as a response to anti-Catholics in the Fundamentalist community. (Keating is careful to point out that not all Fundamentalists are anti-Catholic and that not all anti-Catholics are Fundamentalist.) Catholicism and Fundamentalism begins with a history of and in-depth background of Fundamentalism in which, ironically for a book of Catholic apologetics, I learned more about that religion than I had previously understood. (I had always thought of it as an ultra-conservative Protestant movement (which isn't necessarily true) but did not know anything about its origins and foundation.) Then Catholicism and Fundamentalism outlines the most common attacks against Catholics by anti-Catholics. The following chapters examines each of these carefully, its historical source, where it may or may not misunderstand the Catholic position, what Catholics actually believe on each point and how they might respond, and more. Topics covered include the oft misunderstood concepts of infallibility, purgatory, the Eucharist, and the veneration of Mary and the Saints.
My only quibble is that the book seems either a bit dated or regional. Anti-Catholic attacks from Fundamentalists probably peaked in the 1970s or '80s and mostly in the United States. I can only think of one or two incidents where I have found my beliefs challenged by a Fundamentalist. However, I do get challenged by agnostics and atheists all the time — or at least I did until I started avoiding such situations — and I find these confrontations unpleasant, not because I feel set upon, but because I'm often at a loss for words how to explain what I believe and why I feel the challenger is wrong. Despite everything I've read and researched and my close association with the clergy, I often feel disadvantaged in such a discussion, not because of uncertainty in my position but because I lack the tools to respond. (Especially frustrating — and this has happened many times, is when someone tells me that I must not be Catholic because Catholics believe x and I believe y. The arrogance of non-Catholics (and some ex-Catholics who lacked the curiosity to learn more about their religion before giving it up) to presume to know better than an informed Catholic what Catholics believe! (On a side note, thank God for Pope Francis, who has opened a lot of eyes. In many ways, I feel vindicated.) Thus, I would have appreciated the book even more if, instead of Catholicism versus Fundamentalism, the scope had been more Catholicism versus Anti-Catholicism, whether from religious or secular sources.
I don't pretend to be a more capable apologist having read Catholicism and Fundamentalism. If anything, I better understand how daunting a task apologetics is. Keating goes into this at the end of the book, making recommendations for those who want to take up apologetics and steering those away who aren't willing to make a full commitment. Apologetics isn't easy, and it is easy to get tripped up. Better to point someone in the direction of a reputable and capable source than risk erring and further propagating misunderstandings about the faith.
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I have long wanted to read The Elements of Style. Maybe it is somewhat perverse that someone should want to read a book on style and grammar for fun, but there you go.
Yes, it's a classic, you've all heard of it — and now I know why. It's direct, it's clear, it's informative, and it's fun. Really. I had no idea this sort of book could be so enjoyable.
More importantly, though, it makes me a more confident reader and writer. I confirmed several of the "rules" I thought I knew but wasn't sure of, realised where I was wrong, and learned new concepts. I plan to revisit this little book often and would recommend it to everyone.
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White Queen, a novel by Gwyneth Jones about first alien encounter, pops up in lists of the top science fiction novels of the past x years. I was more than a little intrigued by the praise and descriptions, so I picked up a copy.
On the plus side, Jones' aliens are convincingly alien. Not in a Lovecraftian weird-shit sort of way. Initially, in fact, they seem human enough that they are able to blend in and observe humanity for a period of time before contact is made. But appearances and origin aside, they are alien in profound ways which drive much of the tension in the story. The inability of the two cultures to understand one another, the sometimes comically mistaken assumptions made by both sides, leads to conflict and division with often tragic consequences.
This all sounds very good. However, I found the novel incomprehensible at times and Jones' style impenetrable. I also found some of the reactions by characters in the book puzzling. It's one thing for aliens to be alien, but so many of the humans seemed alien as well. And the constant shifts from human to alien perspective and jumps in time made the plot even harder to follow.
I wanted to like this book. It contains much that is thought-provoking and bits here and there that I found enjoyable. I'm not one to shy away from difficult books, but overall there was too much to dig through to be able to enjoy the story.
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As most of us did, I first read All Quiet on the Western Front when I was in high school. 2014 was the hundredth anniversary of the beginning of World War One, and so I kicked off my WWI reading by revisiting Remarque's famous novel.
As so many of us have read it and there is so much analysis available, I won't waste my "breath." But I will remark how so many of the same tropes of life in the trenches come up in WWI books.
It's inevitable, I guess, but as I read other WWI novels this past year I was struck by the similarities between episodes in those books and All Quiet on the Western Front, not just the squallid conditions in the trenches and horrific experiences between them, but the sojourns in town, the requisite visit to the local whorehouse, even scenes reminiscent of the men sitting around killing time while squatting on their port-a-potties. Directly or indirectly, so many war books owe a debt of gratitude to Remarque's work.
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A Darkness at Sethanon concludes the original Riftwar trilogy. Although I enjoyed the three novels, and although there are several more novels in the larger series, I've decided not to read further. Not a ringing endorsement?
Feist is a good storyteller. The plot zips along, the story is highly enjoyable (even if it gets a bit trippy near the end), and the characters are endearing. I found myself wanting to know, really caring, what happened to certain people in the story. And I was a bit sad when it ended.
However, the story doesn't distinguish itself from all the other sword and sorcery out there. Odd as it feels to say, it's merely good and enjoyable, but not special.
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- Gourevitch, Philip — We wish to inform you that tomorrow we will be killed with our families: Stories from Rwanda (351 pages)
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I like to read both location- and event-appropriate books, and this year marks an important anniversary of several important events, including the start of World War One, the opening of the Panama Canal, and, more recently, the Rwandan genocide 20 years ago.
I remember being moved deeply by Hotel Rwanda when it was released several years ago. Until then, I don't think I had even heard about the atrocities in Rwanda or about the animosities between Tutsis and Hutus. When I travelled to Kenya a few years ago, I searched for books on Africa, and Gourevitch's book was widely praised as the best book about Rwanda and the genocide.
Suffice it to say the book did not disappoint. Gourevitch weaves together accounts of survivors with his own personal experiences and research of Rwanda to create a most compelling account. He explores the various historical causes that led to this "perfect storm" of tragic events, the harrowing details of life during the massacres, and the aftermath, including the sluggish and inappropriate international reaction, the negative effects of well-meaning refugee camps, attempts to bring the genocidaires to justice, and the implications of the war for Rwanda, its immediate neighbours, and the rest of Africa and the world.
This is one of the best and most moving histories I have ever read, and I wholly recommend it to anyone interested in knowing more about the situation in Rwanda and Africa.
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I'm not sure I've looked forward to a book/movie combo so much in recent year as I have Under the Skin. I've had the book for about 3 years and was eager to start reading it as soon as I learned a movie was coming out. However, release of the movie was delayed for about 2 years, and I was beginning to despair it would ever get made. Once I heard there was a definite release date, I made sure it was the one book I brought with me to the Scottish Highlands.
So, let me get this out of the way now: If you saw the movie, I… hell, I don't know what to say. I wish I could scrub that pseudo-artistic claptrap out of my brain. Not since Hollywood got Rising Sun so completely wrong has the movie industry so completely failed a book.
Under the Skin is a brilliant book, one of the best "first encounter" novels I've read. It take place in a remote part of the Scottish Highlands, our heroine, Isserley, cruising the lonely motorways for hours a day in her specially-customised (but completely nondescript) vehicle looking for suitable hitchhikers — always male, fit but not too fit, unattached — to pick up. Isserley meditates on nature, the ocean, the loneliness of the roads, the nature of the people she meets, the nature of her own people, while dwelling on her feelings of inadequacy, anger, discomfort with her own skin, depression. It's a subtle, tender, thought-provoking, and poetic novel which I would recommend to anyone.
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- Feist, Raymond E. — Magician (689 pages)
- Feist, Raymond E. — Silverthorn (424 pages)
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Silverthorn picks up shortly after the events of Magician. It's more of a quest story along the lines of The Lord of the Rings: mysterious assassins threaten the kingdom, and the prince disguises himself and goes on a journey with a rag tag assemblage (including some of diminutive size) to find a rare flower in a Mordor-like place, and the fate of everything hinges on this flower. Ok, so it's short on originality, but it's an entertaining story. I may have enjoyed it more than Magician.