- Grossmith, George & Weedon — The Diary of a Nobody (166 pages)
- McCarthy, Cormac — Blood Meridian (334 pages)
- Moore, Alan & Dave Gibbons — Watchmen (399 pages)
- Moore, Christopher — Lamb: The Gospel According to Biff, Christ's Childhood Pal (507 pages)
- Murger, Henri — The Bohemians of the Latin Quarter (381 pages)
- Walk with Me: A Lenten Journey of Prayer for 2009 (98 pages)
- Douglas, Lloyd C. — The Robe (438 pages)
- Robinson, Marilynne — Gilead (281 pages)
- Jerome, Jerome K. — Three Men in a Boat (182 pages)
- Satrapi, Marjane — Persepolis (343 pages)
- Dodge, Jim — Fup (121 pages)
- Bauby, Jean-Dominique — The Diving-Bell and the Butterfly (114 pages)
- Fleming, Ian — Casino Royale (219 pages)
- Blake, Quentin — Clown (30 pages)
- Weigel, George — The Courage To Be Catholic (249 pages)
- Ishiguro, Kazuo — The Remains of the Day (255 pages)
- Orwell, George — Animal Farm (125 pages)
- Garner, James Finn — Politically Correct Bedtime Stories (81 pages)
- Robinson, Marilynne — Home (339 pages)
- Opera Magazine — Basses in Opera: Profiles of thirteen great basses (96 pages)
- Beaumarchais, Pierre-Augustin Caron de — The Figaro Trilogy (David Coward, transl.) (335 pages)
- Keyes, Daniel — Flowers for Algernon (217 pages)
- Bök, Christian — Eunoia (94 pages)
- Zweig, Stefan — Chess (76 pages)
- Kinney, Jeff — Meet the Wimpy Kid (55 pages)
- Lovecraft, H.P. — At the Mountains of Madness (188 pages)
- Blatty, William Peter — The Exorcist (307 pages)
- Williamson, Jack — Darker Than You Think (266 pages)
- Pelevin, Victor — Omon Ra (152 pages)
- Molière — Five Plays: The Misanthrope, Tartuffe, The School for Wives, The Miser, The Hypochondriac [transl. Richard Wilbur, Alan Drury] (428 pages)
- Duffy-Korpics, Lisa — Tales from a Dog Catcher (255 pages)
- Laclos, Choderlos de — Dangerous Liaisons (437 pages)
- Sagan, Françoise — Bonjour Tristesse (100 pages)
Page count: 7668.
This slim volume caught my eye a few months ago. It sounded positively saucy and scandalous, recounting the reaction of a liberated teenaged girl when she perceives that her way of life is threatened by her new step-mother-to-be who will bring order, discipline, and respectability to the family.
Unfortunately, I had difficulty connecting with the protagonist. We are such different creatures! Instead, I found a closer affinity with those who presented as obstacles to her.
The story had a feeling of inevitability throughout, as though the plot and outcome didn't matter at all. Perhaps they didn't: the narrative perspective was that of one looking back on a previous event. What was fascinating, though, was observing as the protagonist wrestled with her decisions and accepted their consequences. It made for an insightful and unsettling account of her psychological makeup.
I have not yet had the opportunity to watch the 1958 film adaptation by Otto Preminger starring Deborah Kerr, David Niven, and Jean Seberg, but I look forward to it.